I use Sibelius for music notation, and love the program. One common task and facet of good stewardship is how the music is presented to your musicians. Clarity of intent with logical page layout will save time and money, promote a more professional atmosphere amongst your worship team, and prevent dumb mistakes from happening due to awkward page turns and ill-placed key changes.
Here’s a quick 10-minute session on ways to handle page layout in Sibelius.
Soon after starting work at Cedar Springs Presbyterian Church, our worship leader West Breedlove suggested that I read Harold Best’s book Music Through the Eyes of Faith. I borrowed it from his office, and after reading the first chapter decided that it is a book I need to own and take notes in.
This is a book for worship leaders and musicians of all styles, and has so much to say about musical pluralism and its connection to the Gospel. Not every chapter was as engaging as others, but there are chapters which are basically solidly highlighted in my copy.
I wanted to see what others have had to say about this book, and suggest the following reviews:
We began our congregational singing yesterday at Cedar Springs Presbyterian Church with “All Creatures of Our God and King” – an updated version of the hymn that uses drop-D DADGAD tuning in the guitar. Here’s what the forces involved were:
Worship leader: vocals and acoustic guitar
2 female vocalists
electric lead guitar
Some notes – our congregation and choir members who are long-time church folks learned this first with the original rhythmic and metrical design of the hymntune, LASST UNS ERFREUEN (Hymnary.org link). Our updated chart is in 4/4 all the way through. Folks in the congregation had an initial adjustment to make if they already knew the hymn, but it was an easy adjustment because they could see the worship leader and the vocalists. The choir, on the other hand, had a harder time because they could NOT see the faces of the leaders. They did figure it out after a verse, but in hindsight I should have gone over it with them ahead of time, even if it had just been that morning before the service. I just didn’t think it would be a problem. Whoops!
All that said, it ended up being a fun chart to play, GREAT words to sing, and enough familiarity and newness to bridge the generations in our congregation. I was pretty happy about the way it turned out. (NOTE – if you play the chart, know that we extended the BbM7 chord another 2 beats at the end, 6 beats in total. Just felt better.)